Sublime Agreement Meaning

Samuel Taylor Coleridge was a poet, a critic and a scholar, and he was very preoccupied with the sublime, especially in contrast to the beautiful. Coleridge is the best way to make his point: at first glance, it may be easy to answer the question of whether sublime and sublimated are related, as they seem to come from the same source. However, most of the senses in which each of these words is used today are not very handy to stop. The two words are indeed linked and, to a certain extent, they are indeed synonymous. Both have the importance of “moving directly from solid to steam and recondensing in solid form,” although this is widespread among chemists. Sublime was first used as a verb with the above meaning, and after one or two centuries this use took on the adjective role in which it is often found today (“the concert was a sublime experience”). Sublimate had several meanings as a verb (including “raising in a place of honor” and “giving a higher character” before arriving today at its common meaning of “directing the expression of (an instinctive desire or impulse) from its unacceptable form to that considered socially or culturally acceptable.” Therefore, the spokesperson must consider more than the object itself; It is sublime in its broader context. Well, Coleridge`s views of the sublime are unique, because Coleridge believed that nature was sublime only occasionally, that is, only in the sky, at sea and in the desert, because they are the only objects of nature that are limitless. This is why Coleridge`s “Rime of the Ancient Mariner” is often considered sublime, although it is one of the few works in which Coleridge expresses the natural world as sublime. In most of Coleridge`s other works, he focuses on the “sublime metaphysics” found in “between the worlds of the world (land and sea, sky and sea, etc.).

But Coleridge did not ask for the feeling of terror or fear in his eyes, but concentrated on the element of infinity. [9] (P89-90) Most scholars refer to Edmund Burkes A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757) as a pioneering treatise on the sublime. Burke defines the sublime as “what is appropriate in one way or another to excite ideas of pain and danger… No matter what is horrible one way or another, or whether it`s talking about horrible objects, or whether it works in a way that looks like terror. Burke believed that the sublime was something that could cause terror in the audience, because terror and pain were the strongest emotions. But he also believed that there was an inherent “joy” in this emotion. Anything that is great, infinite or opaque could be an object of terror and sublime, because there was an element of the unknown around them.